A Window, a 911 Call, a Work of Art
Thick as Thieves
•
35m
In this week’s episode, we talk about the tumultuous, and eventually fatal, relationship between artists Ana Mendieta and Carl Andre. In 1985, after eight months of marriage, Ana Mendieta fell to her death from the 34th-floor New York apartment she shared with Andre. When he called 911, he flatly stated they were artists and “she went to the bedroom, and I went after her, and she went out the window.” He was acquitted of her murder, and went on to enjoy a hugely celebrated career among the art world’s most elite. We discuss the circumstances of the murder, the changing times, and the responsibility of the art world at large to hold our artists accountable.
----
Hosts Sara Estes and Veronica Kavass discuss heists, forgeries and all sorts of art crimes.
Official Site:
http://thickasthieves.show
----
SUBSCRIBE
Apple:
https://itunes.apple.com/us/podcast/thick-as-thieves/id1456680735
Spotify:
https://open.spotify.com/show/3QAq6gkaBv1Ud3dnljBrEq
----
Theme Song by Patrick Damphier:
https://patrickdamphier.com/
Art by Saskia Keultjes
https://www.instagram.com/saskdraws/
Brought to you by We Own This Town:
https://weownthistown.net/shows/thick-as-thieves/
Up Next in Thick as Thieves
-
A Fatal Attraction in Berlin
On this week’s episode, we delve into a recent crime that left the international art world in shock. In the bustling art mecca of Berlin, Rebeccah Blum, a distinguished American curator was found stabbed to death by her boyfriend, Saul Fletcher, a renowned British photographer. Shortly after the ...
-
Little Fires Everywhere
Veronica and Sara return from the quarantine imposed hiatus to pick Season 2 right back up where they left off, discussing the varietal ways in which art is destroyed or vandalized.
This week, we discuss the bizarre desire to set your art on fire. Scott Campbell, the celebrity tattooist turned a...
-
A Newman Beyond Repair
In 1986, a 31-year-old man used a box cutter to slash Barnett Newman’s “Who’s Afraid of Red, Yellow, and Blue III” in Amsterdam’s Stedelijk Museum. One of the main arguments his lawyer made in his defense was that the painting was a cultural provocation, and this provocation called for a reaction...